| 000 | 01996cam a22002774a 4500 | ||
|---|---|---|---|
| 001 | vtls000309233 | ||
| 003 | UG-KaMUL | ||
| 005 | 20250613001653.0 | ||
| 020 | _a0253343836 (cloth : alk. paper) | ||
| 039 |
_a201209181541 _b 916 _y 201206191722 _z916 |
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| 040 |
_aDLC _c DLC _d DLC _d UG-KaMUL |
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| 082 |
_a781.1 _2 22 |
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| 092 | _a781.1 LID | ||
| 100 |
_aLidov, David, _d 1941- |
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| 245 |
_a Is language a music? : _bwritings on musical form and signification / _cDavid Lidov. |
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| 260 |
_aBloomington : _bIndiana University Press, _c c2005. |
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| 300 |
_aviii, 256 p. : _bmusic ; _c 24 cm. |
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| 440 | _aMusical meaning and interpretation | ||
| 504 | _aIncludes bibliographical references (p. [247]-252) and index. | ||
| 505 | _aIs language a music? -- Structuralist perspectives. Structure and fu nction in musical repetition ; The Allegretto of Beethoven's Seventh ; Mediation as a principle of musical form : three examples -- Semiotic p olemics. Nattiez's foundations for musical semiotics ; Our time with th e druids : what (and how) we can recuperate from our obsession with seg mental hierarchies and other "tree structures" ; Why we still need Peir ce -- From gestures to discourses. Mind and body in music ; Opera opert a : realism and rehabilitation in La traviata ; A monument in song (199 6) : Beverly (Buffy) Sainte-Marie's "Bury my heart at Wounded Knee" -- The messages of methods. Bartâok the progressive ; The art of music the ory and the aesthetic category of the possible ; Technique and signific ation in the twelve-tone method ; The project of abstraction and the pe rsistence of the figure in twentieth-century music and painting : on th e music of Elliott Carter, with a postscript on the Ninth symphony of B eethoven -- Resisting representation. Replaying my voice mail. | ||
| 650 |
_aMusic _x Semiotics. |
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| 650 | _aMusic and language. | ||
| 942 |
_2ddc _cBK |
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| 999 |
_c528154 _d528154 |
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