TY - GEN AU - Grey, Thomas S. ED - American Council of Learned Societies. TI - Wagner's musical prose: texts and conte xts T2 - New perspectives in music history and criticism PY - 1995/// CY - Cambridge, [U.K.], New York PB - Cambridge University Press KW - Wagner, Richard, KW - Music KW - 19th century KW - Philosophy and aesthetics KW - Musical criticism KW - Opera N1 - Includes bibliographical references (p. 380-390) and index; 1; Wagner and the problematics of "absolute music" in the ninetee nth century; Ideas of absolute music; Questions of autonomy; Content and/or/as form; Absolute music and "ideas: a new determ inacy? --; 2; Beethoven reception and the hermeneutic impulse: "po etic ideas" and new forms; Beethoven's "poetic ideas": notes on the genesis of a critical tradition; Poetics, heroics, funérailles; Fear of the Fifth: the uncanniness of instrumental speech; Beet hoven's "sketches" (poetic intentions and musical consequences) --; 3; Engendering music drama: Opera and Drama and its metaphors; Met aphors of gender, and others; Natural sciences: reproductive biology and a theory of "evolution"; Music mastered, poetic reason (nearly) seduced: allegory and antithesis --; 4; The "poetic-musical perio d" and the "evolution" of Wagnerian form; Periode and Entwicklung; "Evolving" period-complexes and Wagner's evolution: three dialogues --; 5; Endless melodies; Wagner and his critics around 1860 (W agner's melody--all or none?); Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama); Melody as form --; 6; M otives and motivations: leitmotif and "symphonic" drama; Warum? (mot ives to musical form); The birth of the music drama from the "labor -pains of program music"; Motif, motive, Motiv: dramatic motivation s and "symphonic form"; Delirium and death as transgressive motives : "dramatic symphony" and "symphonic drama"; Dénouements (motivic threads, dramatic plots, musical knots and resolutions); Electronic text and image data; Ann Arbor, Mich.; University of Michigan, Michigan Publishing; 2010; Includes both TIFF files and keyword searchable text; ([ACLS Humanities E-Book]); ([New per spectives in music history and criticism]); Mode of access: Intranet UR - htt p://hdl.handle.net/2027/heb.07650 ER -