Includes bibliographical references and index.

I missed it at the movies: objections to "Raising Kane" -- The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The bu tterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107- minute Touch of evil) -- André Bazin and the politics of sound in Touc h of evil -- The invisible Orson Welles: a first inventory -- Reviews o f biographies by Barbara Leaming and Charles Higham and a critical edit ion of Touch of evil -- Afterword to The big brass ring, a screenplay b y Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (Ne w York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bi o-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original scre enplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bi ll Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films a nd filmmakers" (On touch of evil) -- Welles in the lime light: The thir d man -- Orson Welles as ideological challenge -- Orson Welles's purloi ned letter: F for fake -- When will - and how can - we finish Orson Wel les's Don Quixote?

Electronic text and image data. Ann Arbor, Mich. : University of Michigan, Michigan Publishing, 2010. Includes both TIFF files and keyword searchable text. ([ACLS Humanities E-Book]) Mode of a ccess: Intranet.