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Transnational encounters [electronic resource] : music and per formance at the U.S.-Mexico border / edited by Alejandro L. Madrid.

Contributor(s): Material type: TextTextSeries: ACLS Fellows' publications | ACLS Humanities E-BookPublication details: New York : Oxford University Press, c2011.Description: xvi, 406 p. : ill., maps ; 24 cmSubject(s): Additional physical formats: No titleOnline resources:
Contents:
Border meanings. Reggae on the border: the possibilities of a Fro ntera soundscape Luis Alvarez Breaking borders/quebrando frontera s: dancing in the borderscape Sydney Hutchinson Narcocorridos: na rratives of a cultural persona and power on the border Mark C. Edber g Nationalisms. Mariachi reimaginings: encounters with technology , aesthetics, and identity Donald Henriques "This is our música, guy!": Tejanos and ethno/regional musical nationalism José E. Lim ón Indigeneity and Modernity. Re-localized rap and its represent ation of the hombre digno Helena Simonett Waila as transnational practice Joan Titus Cultural citizenship and rights. Transnati onal identity, the signing of spirituals, and the performance of blackn ess among Moscogos Alejandro L. Madrid Transnational cultural con structions: Cumbia music and the making of locality in Monterrey Jes us A. Ramos-Kittrell Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival Margaret E. Dorsey and Miguel Díaz -Barriga Trans-border cosmopolitan audiotapes. The Tijuana sound: brass, blues and the border of the 1960s Josh Kun La avanzada re gia: Monterrey's alternative music scene and the aesthetics of transnat ionalism Ignacio Corona Contested identities. New Mexico and ' Manitos at the borderlands of popular music in Greater Mexico Brenda M. Romero "Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene Lillian Gorman Perform ing locality and gender. From pistol-packing pelado to border crossi ng mojado: El Piporro and the making of a "Mexican" border space Cat hy Ragland Dancing Reggaetón with cowboy boots Ramón H. Rivera- Servera.
In: ACLS Humanities E-Book URL: http://www.humanitiesebook.org/
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Includes bibliographical references and index.

Border meanings. Reggae on the border: the possibilities of a Fro ntera soundscape Luis Alvarez Breaking borders/quebrando frontera s: dancing in the borderscape Sydney Hutchinson Narcocorridos: na rratives of a cultural persona and power on the border Mark C. Edber g Nationalisms. Mariachi reimaginings: encounters with technology , aesthetics, and identity Donald Henriques "This is our música, guy!": Tejanos and ethno/regional musical nationalism José E. Lim ón Indigeneity and Modernity. Re-localized rap and its represent ation of the hombre digno Helena Simonett Waila as transnational practice Joan Titus Cultural citizenship and rights. Transnati onal identity, the signing of spirituals, and the performance of blackn ess among Moscogos Alejandro L. Madrid Transnational cultural con structions: Cumbia music and the making of locality in Monterrey Jes us A. Ramos-Kittrell Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival Margaret E. Dorsey and Miguel Díaz -Barriga Trans-border cosmopolitan audiotapes. The Tijuana sound: brass, blues and the border of the 1960s Josh Kun La avanzada re gia: Monterrey's alternative music scene and the aesthetics of transnat ionalism Ignacio Corona Contested identities. New Mexico and ' Manitos at the borderlands of popular music in Greater Mexico Brenda M. Romero "Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene Lillian Gorman Perform ing locality and gender. From pistol-packing pelado to border crossi ng mojado: El Piporro and the making of a "Mexican" border space Cat hy Ragland Dancing Reggaetón with cowboy boots Ramón H. Rivera- Servera.

Electronic text and image data. Ann Arbor, Mich. : University of Michigan, Michigan Publishing, 2014. Includes both TIFF files and keyword searchable text. ([ACLS Fellows' Publications]) ([ACL S Humanities E-Book]) Mode of access: Intranet.

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